Catherine Parsonage: Convivium

Catherine Parsonage_Convivium_installation view_Bosse & Baum_London_2017 (5)



Catherine Parsonage_Convivium_installation view_Bosse & Baum_London_2017 (4)



Catherine Parsonage_Convivium_installation view_Bosse & Baum_London_2017 (3)



Catherine Parsonage_Convivium_installation view_Bosse & Baum_London_2017 (2)



Catherine Parsonage, Suddenly Every Wednesday, 2017, acrylic on canvas, 122 x 183cm



Catherine Parsonage, Myrtle, 2017, acrylic on canvas, 25 x 35cm



Catherine Parsonage, Kylix 1, 2017, acrylic on canvas, 122 x 183cm



Catherine Parsonage, Emma, 2017, acrylic on canvas, 25 x 35cm



Catherine Parsonage, Alice, 2017, acrylic on canvas, 183 x 122cm



Catherine Parsonage_Convivium_installation view_Bosse & Baum_London_2017. jpg







Final 9



Catherine Parsonage: Convivium_Press Release



Catherine Parsonage: Convivium_Press Release

CATHERINE PARSONAGE : CONVIVIUM
Private View: 1 December, 6-9pm
2 December 2017 – 17 February 2018

A CONVIVIUM
No, no lets go Greek ⎯ A Symposium ⎯ A Speak … easy? ⎯
A place to encase & embrace this pulsing flesh ⎯ Sym potes, drink together ⎯
Sym bol, bring together ⎯ A place for people & poetry & paintings to hold sweet
commerce ⎯ A place to consume and to disgorge ⎯ smudged words & wine
& frothing clichés

Bosse & Baum is pleased to present Catherine Parsonage’s first solo exhibition at the gallery. The title of the exhibition, Convivium, finds its origin in the ancient Greek Symposium. In its original form a symposium took place in a specially devoted room called an andron. The symposiasts – always reclined, would ritualistically drink wine from shared, stemmed cups (kylix), placed within arm’s reach from their comfortable positions of repose. The exchange of words and poetry was an intrinsic part of their hedonistic pursuit of pleasure.

The symposium is reinterpreted on this occasion as a late-night bar a hazy, anachronistic and bathetic space where a mixed cast of characters find comfort in each other’s company. These bestial symposiasts pursue a certain kind of intensity, one that is spurred on by slivers of prose, breathless meter and bar stool chatter. At a first glance, the images in Parsonage’s paintings might seem somewhat incongruous; a bloated frog with a glazed expression named Alice; a volcano cast in alizarin hues, emitting hot lava and toxic fumes; a crowd of drinkers with gangly limbs painted in an acrid rose palette, not dissimilar to a flock of flamingoes. The fil rouge that connects all these works – be it present or alluded to through metaphor – is the body, in a continuous state of liquid flux; ebullient and sweaty, nauseous and curled, feverish and bestial.

The works presented in this exhibition are nourished by a number of influences, which range from ancient mythological forms to modern poetry. This complicit relationship between literary and visual modes of representation is central to Parsonage’s practice; both words and images have the power to elicit evocative imagery and tap into complex emotional states. In order to further explore this idea, Parsonage will present a personal collection of books and poems that have played a key role in the development of this show, and – in the true spirit of a symposium – will be curating a series of readings and workshops in the gallery space, hosted by writers and poets.

Catherine Parsonage (Wirral, 1989) lives and works between Rome and London. Recent solo exhibitions include: Present Future Section, Artissima, House of Egorn, Turin (2017), GRANPALAZZO, Bosse and Baum, Zagarolo (2016); Art Rotterdam, House of Egorn, Rotterdam (2016); a wrist that turns, House of Egorn, Berlin (2016). Recent group exhibitions include: Full For It: Tomaso De Luca and Catherine Parsonage, Garbo’s, Rome (2017), June Mostra, British School at Rome, Rome (2017), Le Nouveau Voyeurisme, Hotel Contemporary, Milan (2017); March Mostra, British School at Rome, Rome (2017); December Mostra, British School at Rome, Rome (2016). Parsonage has upcoming group exhibitions at Yellowspace, Varese & House of Egorn, Berlin (2018).