BOSSE & BAUM
ROBIN VON EINSIEDEL | NEW ART SECTION | BOOTH 95
MOLLY PALMER | PROJECTIONS | BOOTH 108
8 – 12 FEBRUARY 2017
Wednesday February 8, 2017
Opening by invitation:
18.00 – 22.00 hrs
Thursday February 9, 2017
11.00 – 19.00 hrs
Friday February 10, 2017
11.00 – 21.00 hrs
Saturday February 11, 2017
11.00 – 19.00 hrs
Sunday February 12, 2017
11.00 – 19.00 hrs
Contact us for invitations:
firstname.lastname@example.org | +44 7818 455 675
email@example.com | +44 7946 399 916
You are invited to join Candida Powell-Williams for a performance workshop during the creation of her new immersive installation
The Vernacular History of the Golden Rhubarb
at: Bosse and Baum, 133 Copeland Road, Peckham, SE15 3SN
on: Saturday 21st January, 2017, 12noon – 1:30pm; 3pm- 4:30pm; 5:30pm- 7:00pm
Please email firstname.lastname@example.org to reserve a place
10 guests in 3 sessions will act as participants in part obstacle course, part pantomime. Participants will be guided through the work in progress by CPW and choreographer, Joel O’Donoghue. At various times they will invite you to interact through gesture and pose, rearrange, even lick and tickle the sculptural works.
All footage will be used to generate the moving image works, integrated into the finished installation, opening to the public on Friday 27th January, 6-9pm
Costumes will be provided; refreshments provided; duration 1.5hr
Supported by the Arts Council England.
WAVES brings together video installation, printmaking, sculpture and painting to explore gesture and stillness in relation to the idea of private and public space. Invited artists present different attitudes and strategies, from improvisation and mannerism to staging and choreography, exposing the movements between the intimate and the shared.
To coincide with the exhibition, Turf are hosting a programme of related events including an Artists talk & Q&A, Film screenings, Family Art Fun Day, Reading Group and a Lunchtime Artist Crit. For further details on the programme please visit turf-projects.com. The exhibition and events were made possible with the generous support of the Arts Council England & Centrale Shopping Centre, Croydon.
Luke Burton‘s work examines across painting, drawing, video and sculpture the dependent relationship between contemporary art and decoration. His recent series of paintings and drawings explore how personal and collective forms of ambivalence are found in attitudes towards aesthetics, archetypal forms and male identity. Footballs and Fountains serve as ongoing symbolic tropes, drawn in an expressive and mannered style with a backdrop of tightly rendered patterns derived from Victorian tile designs.
Football, XI – IX, ink and acrylic on paper mounted on Kappa board, obeche frames – 90cm x 70cm, 2016
You are invited to join the artist collective UA in an afternoon workshop of collaborative practice, hosted at Chisenhale Studios by UA in collaboration with Please Stand By. The workshop will be loosely structured around group writing, making, vocalising, movement, and meditation, culminating in a collectively improvised ritual. Both artists and non-artists are welcome.
Over the past three years UA has developed a working process for participatory ritual-performances. But the nature of our practice has largely been hermetic, most of it taking place on retreats, in remote locations, with only members of the group there to witness it.
You can book tickets here:
// Group leaders will be:
// About UA
UA formed in 2013 in order to investigate the aesthetic possibilities of religious practice, mythology and ritual. Each member of the project began with some variant of a basic problem: how to fit our artwork into new structures of meaning that would feed back into the work, that would be valid in their own right? i.e. outside of the gallery system, the poetry reading, the google group, the seminar, the spectacle. UA develops and maintains a fragile structure of participatory ritual-performances, involving sculpture, text, sound and movement.
Opening Party: Saturday, 14th May
6.30pm to late | RSVP: email@example.com
Participating “Double Act” Artists:
Rebecca Ackroyd — Alex Clarke
Cornelia Baltes — Will Sheridan Jr
Bea Bonifini — Lindsay Lawson
Emma Hart — France-Lise McGurn
Gabriel Hartley — Ann Hirsch
Sarah Maple — Zadie Xa
Andrew Mealor — Alex Rathbone
Performance by | Bea Bonifini
Music by @Gaybar and Hannah Quinlan Anderson and Rosie Hastings
Food by Taco Truck
Coffee Morning: Friday, 20th May, 9am-12 noon
Open House: Saturday, 11th June, 11am–6pm
Closing Party: Saturday, 9th July, 6.30-8.30pm
and by appointment until 9th July 2016
Marcelle Joseph Projects is delighted to present At Home Salon: Double Acts, an exhibition in the private residence of the curator in Ascot and showcasing artworks by 14 artists. For the third biennial edition of this exhibition – subtitled Double Acts – Marcelle Joseph has collaborated with a different London-based curator, gallerist, journalist or artist in each of seven different rooms of her home. Each “double act” curating team has in turn chosen two artists to show in their designated area. The collaborating curators include (in alphabetical order): artist Rebecca Ackroyd, Bosse & Baum gallerist Lana Bountakidou, Arcadia_Missa gallerist Rozsa Farkas, independent curator Valentina Fois, The Sunday Painter gallerist Will Jarvis, freelance arts writer Anna McNay and Emalin curator Leopold Thun. Expect the unexpected – artistic combinations in the domestic context away from the white cube that jolt, inspire, provoke and invite conversations of all sorts.
Special midnight artist-led walks around selected Art Night projects on 2 July (10pm to midnight). Bosse & Baum has selected five artists, including Miriam Austin, Nicole Vinokur and May Hands, to design the artist-led walks.
To buy tickets, please email: firstname.lastname@example.org
Art Night is a new annual contemporary arts festival that will transform London for one night on 2 July 2016. From Admiralty Arch to a disused Jubilee Line platform in Charing Cross Underground station, a range of building and public spaces across Westminster will form the stage for a series of art installations and performances, for one night only.
Art Night is free and open to all. Advanced booking for selected projects will be announced on 9th May 2016.
Candida Powell-Williams will be showing a new performance work ‘Lampy, the Barefooted Father’ this Friday 18th March as part of Lupercalia Live at Bosse & Baum Peckham from 7-9pm.
There will also be other events alongside Miriam Austin’s exhibition Lupercalia, please check here.
The exhibition will be accompanied by a text written by LOUISA ELDERTON.
A series of events and performances will take place in the duration of the exhibition. Please check here for updates or contact email@example.com for more information.
Friday 18th March, 7-9pm
Poetry reading with Sam Riviere
Reading by Louisa Elderton
Performance by Candida Powell-Williams
Reading by Holly Slingsby
Wednesday 23rd March, 7-9pm
Closing ceremony with Miriam Austin and Universal A
Supported by the Arts Council England.
Material Art Fair is Mexico City’s only contemporary art fair dedicated to emerging practices.
Its third edition will take place from February 4th – 7th, 2016 at EXPO REFORMA, a convention center in the Juarez neighborhood of Mexico City, centrally located near the city’s financial district as well as the Centro Historico, San Rafael, and Roma-Condesa neighborhoods.
ITALY @ Watch It Gallery, South Woodford, E18
More info here.
Reading text : The Parasite by Michel Serres.
YGRG is visiting London as part of AIROOM residency programme:
Airoom is a project by Juste Kostikovaite inspired by ‘Tinder Swinton’, a character tired of Tindering, but is also in reference to artist’s temporary living places being made visible during residencies. Airoom accommodates artists and curators in empty rooms belonging to curators sacrificing their AIRBNB income. In 2015 Vilnius Airoom hosted Chosil Kill (NO/UK) (via Istambul and Kiev). In 2015 London Airoom is hosting curator Zane Onckule (LV) and artist&curator duo Dorota Gaweda & Egle Kulbokaite (LT/PL/SE/DE/CH). Airoom is supported by KKNORD and Arts Council England.
The Interior | E.R.O.S. Launch & Exhibition
We’ll be going to celebrate the launch of Issue VII of E.R.O.S., ‘The Interior’, at Ditto Gallery this Thursday November 19th. The event will also mark the private view of an exhibition put together in relation to the issue’s theme, and includes artists Laura Eldret, Luke Burton, Marlene Haring and Claire Baily.
The Czech Centre London and The Performance Studio present Talk, So I Can See You, a film programme curated by Pil and Galia Kollectiv with recent work by Roman Štětina, accompanied by London-based artists Billy Howard Price, Molly Palmer and Mike Harvey, who will screen selected video works and excerpts from their on-going film projects. In a live, semi-improvised format Štětina will respond by selecting his own film and video works in relation to the topics and images presented.
The screening programme will be followed by a round-table discussion chaired by Pil and Galia Kollectiv with all four artists, in which they will be talking about editing, the relationship between sound and vision in cinema, and further ideas that emerge from the work. The evening will culminate in a screening of Roman Štětina’s recent video work Lost Cause (2014), which he will accompany with a live DJ set.
This event is taking place in the context of Štětina’s forthcoming residency in London, supported by the Czech Centre London and will be hosted by Bosse & Baum.
– Admission to this event is free, but booking is required RSVP to
EMPOWER yoga workshop with Bryony Stone
Saturday 17 October | 10:30am – 12 noon
Music by Sam Wolfson (editor @ Noisey)
Juice provided by Ali Baba Juice
£12 | to book a place please email info@bosseandbaum
& write YOGA: 17th October/ Bryony Stone in the subject heading
Josh Wright & Guillaume Vandame | discussion with Cibelle Cavalli Bastos
**REFLECTIONS: The body from within**
Saturday 10 October | 5pm – 6pm
Following Wright & Vandame’s exhibition at fig-2, they join us in discussion with Cibelle Cavalli Bastos at Bosse & Baum. The artists explore sites intended for art, as spaces for physical activity, prioritising the body and mind to determine meaning of the space . The work of Wright & Vandame references Claes Oldenburg’s soft hard sculpture as well as Carl Andre’s minimal aesthetic and Christo and Jean-Claude’s collaborative, environmental and site specific approach. Much like Allan Kaprow’s happenings, the duo intertwines artistic input with physical engagement, and questions the body’s potential to transmit notions of identity, gender orientation and character. Wright & Vandame question our contemporary body image aesthetics and provoke conflating masculine and feminine archetypes and forms.
They will be discussing their work in an informal setting at Bosse & Baum. Please RSVP for a place: firstname.lastname@example.org
Ashtanga Yoga & Breathing Bones workshop with ROSINA BONSU Saturday 10 October – Sunday 11 October, 2015
Calm the mind, create a sense of well-being, realign perception, strengthen the understanding of your physical body, whilst practicing yoga and meditation in Cibelle Cavalli Bastos’ Wave Function Salon at Bosse & Baum.
Yoga leads us beyond the body, mind, beyond our perceived surfaces and, via movement, into our own subjectivity.
Rosina is joining us at Bosse & Baum to lead a workshop which seeks to calm the mind to create a sense of well-being, whilst promoting physical health by strengthening and toning the body. The Ashtanga Yoga Primary Series is a guided practice, a moving meditation, which follows the lead of the breath and which allows time to further explore specific asanas. Breathing Bones is a series of relaxed postures and placements of the body. Together with the breath and gravity these aim to free the joints, release the muscles, realign the skeletal structure and balance the body. Click here to read more about Rosina’s background.
The workshop is open to everyone, whether attending regular classes or as a one-off workshop.
Saturday 10 October | Ashtanga Yoga | 10am – 11.45am
Breathing Bones | 12 noon – 1:15pm
Cibelle Cavalli Bastos Q&A w/ Rosina Bonsu | 1:45pm – 2:30pm
Sunday 11 October | Ashtanga Yoga | 10am – 11.45am
Breathing Bones | 12 noon -1:15pm
One day: £35
Both days: £60
To book a place please email info@bosseandbaum
& write YOGA: 10/11 October/ Rosina Bonsu in the subject heading
Hello beautiful soulful friend!
——> you want to learn how to twerk?
——-> you want to do it in a sex positive, body positive environment?
———>you want to know more about the spiritual, political, and queer background behind this movement?
———> you want to explore what it feels like to be looked at when you manifest divine pride and you locate it on your ass?
———>you want to enjoy good, warm, fun times.
Twerkshops are a platform to share knowledges tied to our root chakra, the “ghetto of the body”, where the kundalini energy lies, waiting for you to summon her.
——> we’ll see how to manifest this energy and her joyful vitality
——-> we’ll look into how this energy can be perceived in public spaces
——-> we’ll reflect on how this energy can be harnessed, protected and used to transform hostile spaces into safe spaces
This twerkshop was open to all bodies- consent, respect and compassion are the only guidelines.
About Fannie Sosa
****Fannie Sosa is a PhD student, activist, artist and teacher. Her work focuses on transness, divine pride, intersectional radically inclusionary feminism and body/mind decolonisation. She uses her gender studies degree to pop her pussy even more severely than before.***
Join us at Art15 this week as we present a solo booth in the Emerge section (EM3) with Caterina Silva, daily 5pm performances by Bea Bonafini and a project with Holly Hendry in P16.
The fair finishes on Saturday 23 May 2015.
This panel discussion will be taking place at Bosse & Baum on occasion of Luke Burton’s solo exhibition Filigree Endings, which continues until 27 March 2015.
What is the relevance of the decorative and ornamental within contemporary art and culture?
Contemporary art’s relationship to the decorative and ornamentation is rich, ambivalent and complex. As many current artists are plundering the mine of visual tropes offered by the history of the decorative, questions surrounding craft, taste, elitism and the function of art emerge.
What is the relationship between the decorative with pleasure and beauty in contemporary art? Is a critical understanding of the decorative necessary for contemporary artists? How easy is it to locate the decorative in contemporary art? Is most art ‘merely’ decorative? Is it (still) a dirty word?
The panelists Luke Burton, Dave Beech, George Henry Longly, Sami Jalili and Richard Wentworth, chaired by Lucy Soutter, will seek to probe these questions and look to elucidate their own understanding of the decorative and ornament within contemporary art and society.
Tate Modern’s exhibition Conflict, Time, Photography, shows the different perspectives that artists using cameras have brought to sites of conflict across the globe at different intervals of time: from images made a few moments or a day after an event, to those produced one, 10, 20, 30 and even 100 years later. London-based photographer Chloe Dewe Mathews on her work Shot at Dawn 2013:
As I stand in the 4am darkness, at the edge of an empty field in Flanders, I know that there is an absurdity to what I’m doing…Read on here.
Chloe Dewe Mathews is a photographer based in London. Shot at Dawn was commissioned by the Ruskin School of Art at the University of Oxford as part of the 14–18 NOW: WW1 Centenary Art Commissions, which tours to Edinburgh, London, Essen, Dresden, Dublin and Madrid.
Conflict, Time, Photography is on display at Tate Modern from 26 November to 15 March 2015
We are thrilled to be working on an upcoming exhibition in collaboration with Tate and Chloe Dewe Mathews titled Congregation opening at Bosse & Baum in May.
Trying to go beyond 5 senses in a wig called desire (after The Lady and the Unicorn)
from Advanced Video Attribute Terminal Assembler and Recreator, an installation at the Gate Theatre, Notting Hill, on until 2nd February, 2015
To read the article, click here