May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Vessel (constellations), 2022, stoneware, crank clay, glaze & glass, 20 x 15 x 4 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Webs (Pendent but not falling), 2022, wooden stretcher, denim, crocheted cotton, shells and safety pins, 45 x 35 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Horizons (A blue finger-print of shadow under the leaf by the bedroom window), 2022, wooden stretcher, shop awning canvas and scrim naturally dyed with madder root, 45 x 35 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Dark shadows blackened the tunnels between the stalks), 2022, wooden stretcher, mohair scarf and saree pins, 45 x 35 cm.Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Dark shadows blackened the tunnels between the stalks) (detail), 2022, wooden stretcher, mohair scarf and saree pins, 45 x 35 cm.Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Sunflower, 2022, stoneware, crank clay & glaze, 11 x 11 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Phantom Flower), 2022, wooden stretcher, scrim, cotton wool, knitted wire pouches, glass, shells, ceramic, fruit stones, sequin and safety pins, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Phantom Flower) (detail), 2022, wooden stretcher, scrim, cotton wool, knitted wire pouches, glass, shells, ceramic, fruit stones, sequin and safety pins, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Phantom Flower), 2022, wooden stretcher, scrim, cotton wool, knitted wire pouches, glass, shells, ceramic, fruit stones, sequin and safety pins, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Horizons (Bars of yellow and green fell on the shore), 2022, wooden stretcher, shop awning canvas and muslin naturally dyed with Madder root, 45 x 35 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (I am all fibre), 2022, wooden stretcher and hand woven fabric with wool, cotton, linen and silk, naturally dyed with Woad, Indigo, Madder root and Tansy, 45 x 35 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (I am all fibre) (detail), 2022, wooden stretcher and hand woven fabric with wool, cotton, linen and silk, naturally dyed with Woad, Indigo, Madder root and Tansy, 45 x 35 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Remnants (amethyst/star), 2022, stoneware, crank clay, glaze & glass, Variable dimensions. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (The afternoon sun warmed the fields, poured blue into the shadows and reddened the corn), 2022, wooden stretcher, chamois cloths naturally dyed with Madder root and Logwood, hand woven fabric with wool, cotton, linen and silk, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (The afternoon sun warmed the fields, poured blue into the shadows and reddened the corn) (detail), 2022, wooden stretcher, chamois cloths naturally dyed with Madder root and Logwood, hand woven fabric with wool, cotton, linen and silk, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Curl, 2022, stoneware, crank clay & glaze, 18 x 12 x 4 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Their eyes became gold beads), 2022, wooden stretcher, velvet, linen, cotton naturally dyed with Walnut and Pomegranate, netting, saree pins, sewing pins, hotel door numbers, drinks can fragment, earring and safety pins, 60 x 45 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (Their eyes became gold beads) (detail), 2022, wooden stretcher, velvet, linen, cotton naturally dyed with Walnut and Pomegranate, netting, saree pins, sewing pins, hotel door numbers, drinks can fragment, earring and safety pins, 60 x 45 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Horizons (Green surface flickering and flaming in red and yellow fibres), 2022, wooden stretcher, shop awning canvas and scrim naturally dyed with Madder root, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Horizons (Green surface flickering and flaming in red and yellow fibres) (detail), 2022, wooden stretcher, shop awning canvas and scrim naturally dyed with Madder root, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Remnants (crater lake), 2022 stoneware, crank clay, glaze & glass, 20 x 15 x 4 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (I hold a stalk in my hand. I am the stalk), 2022, wooden stretcher, handwoven fabric with wool, cotton, linen and silk, naturally dyed with Woad, Indigo Weld and Madder root, 40 x 30 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (I hold a stalk in my hand. I am the stalk) (detail), 2022, wooden stretcher, handwoven fabric with wool, cotton, linen and silk, naturally dyed with Woad, Indigo Weld and Madder root, 40 x 30 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (A white gleam of pearl on the misty sand), 2022, wooden stretcher, muslin, photographs, sea glass, stone, ceramic, driftwood, ribbon, safety pins, crocheted cotton fragments, fruit stone, saree pin, wire and cotton wool, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (A white gleam of pearl on the misty sand) (detail), 2022, wooden stretcher, muslin, photographs, sea glass, stone, ceramic, driftwood, ribbon, safety pins, crocheted cotton fragments, fruit stone, saree pin, wire and cotton wool, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Modern Relics (A white gleam of pearl on the misty sand) (detail), 2022, wooden stretcher, muslin, photographs, sea glass, stone, ceramic, driftwood, ribbon, safety pins, crocheted cotton fragments, fruit stone, saree pin, wire and cotton wool, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Fragments (The grey-shelled snail draws across the path and flattens the blades behind him), 2022, wooden stretcher, chamois cloths, hand-woven fabric with wool, cotton and silk naturally dyed with Woad, Indigo, Madder root and Weld, 75 x 55 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Remnants (bubbles), 2022, stoneware, crank clay, & glaze, Variable dimensions. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Remnants (bubbles), 2022, stoneware, crank clay, & glaze, Variable dimensions. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Surrender, 2017, aluminium stretcher, shop awning canvas and scrim, 70 x 100 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, 2022, Installation View at Bosse&Baum. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Shoreham Beach II, 2019, wooden stretcher, linen, scrim tape, knitted cotton and wool 30 x 25 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Dusk, 2019, wooden stretcher, linen, scrim tape, knitted cotton and wool, 30 x 25 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Seaford summer evening , 2017, shop awning canvas, shellac ink and scrim, 45 x 60 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
Gallery Shop, 2022. Installation View at Bosse&Baum. Courtesy of Bosse&Baum. Photography by Rob Harris
May Hands, Crater I, 2022, stoneware, crank clay, glaze and glass, 9 x 7 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Crater II, 2022, stoneware, crank clay, glaze and glass, 9.5 x 9.6 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Crater IV, 2022, stoneware, crank clay, glaze and glass, 9.4 x 9.3 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Crater V, 2022, stoneware, crank clay, glaze and glass, 9.3 x 9 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Crater VI, 2022, stoneware, crank clay, glaze and glass, 9.5 x 9.5 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, Crater III, 2022, stoneware, crank clay, glaze and glass, 9.8 x 9.5 x 3 cm. Courtesy of the artist and Bosse&Baum. Photography by Rob Harris
May Hands, All That Is Left, Exhibition poster (front), 2022. Courtesy of the artist and Bosse&Baum. Design by Lida Koutromanou. Photography by Rob Harris
May Hands, All That Is Left, Exhibition poster (back), 2022. Courtesy of the artist and Bosse&Baum. Design by Lida Koutromanou. Photography by Rob Harris